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Still, Still, Still
Chamber Orchestra
Sheetmusic to print
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Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.94 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Still, Still, Still (with Brahms' Lullaby) - Full Score
Chamber Orchestra
Arranged by Phillip Keveren. Chamber ensemble. Carol; Christmas; Concert. Full score. 14 p…
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Arranged by Phillip Keveren. Chamber ensemble. Carol; Christmas; Concert. Full score. 14 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music
$7.00
6.49 €
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Chamber Orchestra
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Christmas
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Still, Still, Still
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Scherzo
Chamber Orchestra
1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) (2 Spieler) - Hfe. · Cel. - Str. (4 · 4 · 3 · 2 · 1) bassoon and chamber orchestra - difficult - Digital Download SKU: S9.Q18577 Composed by Bertold Hummel. This edition: piano reduction with solo part. Bassoon Library. Ein Stück für Fagott und Kammerorchester. Downloadable, piano reduction with solo part. Op. 13e. Duration 4 minutes. Schott Music - Digital #Q18577. Published by Schott Music - Digital (S9.Q18577). Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker. In addition to the hire material, a piano score with solo part is now available on sale.
$12.99
12.05 €
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Chamber Orchestra
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Bertold Hummel
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Scherzo
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Schott Music - Digital
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SheetMusicPlus
Rondo in A minor for Cello and Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
60.3 €
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Chamber Orchestra
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Joel Jacklich
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Rondo in A minor for Cello and Orchestra
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Joel Jacklich
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SheetMusicPlus
Mozart - Horn Concerto No. 3 Movement 1 - Horn & String Quartet
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.815828 Composed by Wolfgang Amadeus Mo…
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Chamber Orchestra - Digital Download SKU: A0.815828 Composed by Wolfgang Amadeus Mozart. Arranged by Nicolás Cortés Castillo. Classical,Standards. Score and parts. 32 pages. Nicolas Ernesto Cortes Castillo #6329443. Published by Nicolas Ernesto Cortes Castillo (A0.815828). First movement from Mozart's Horn Concerto No. 3 Movement in E-flat major, K.447. Arranged for horn & string quartet. Full score and parts included.
$7.78
7.22 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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string quartet
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Mozart - Horn Concerto No. 3 Movement 1 - Horn & String Quartet
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Nicolas Ernesto Cortes Castillo
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SheetMusicPlus
Tchaikovsky - Waltz of the Flowers (The Nutcracker) for String orchestra & Harp
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download Composed by Peter Ilyich Tchaikovsky (…
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Chamber Orchestra - Level 4 - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Nicolás Cortés Castillo. Romantic Period. Score and parts. 38 pages. Nicolas Ernesto Cortes Castillo #6342163. Published by Nicolas Ernesto Cortes Castillo
$16.52
15.33 €
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Chamber Orchestra
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Peter Ilyich Tchaikovsky
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Tchaikovsky - Waltz of the Flowers
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SheetMusicPlus
Christmas Suite
Chamber Orchestra
1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - Str. chamber orchestra - Digital Downloa…
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1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - Str. chamber orchestra - Digital Download SKU: S9.Q6701 For Chamber Orchestra. Composed by Bertold Hummel. This edition: full score. Concertino. Downloadable, Full score. Op. 13b. Duration 13 minutes. Schott Music - Digital #Q6701. Published by Schott Music - Digital (S9.Q6701). Die Weihnachtliche Suite entstand im Jahr 1950 im Auftrag des Kleinen Orchesters des Südwestfunks Baden-Baden. Mit vitaler Spielfreude und kontrapunktischer Sicherheit werden bekannte Weihnachtslieder kunstvoll miteinander verwoben. So erkennt der Zuhörer im Andante Melodiezeilen von In dulci jubilo und Vom Himmel hoch, im Allegro con brio Vom Himmel hoch und Es ist ein Ros entsprungen, in der Pastorale Vom Himmel hoch, o Englein kommt! und Stille Nacht, im Scherzando Morgen kommt der Weihnachtmann bis die Trompete in der abschließenden Passacaglia feierlich noch einmal Vom Himmel hoch über dem verwoben Stimmensatz intoniert. Ein festliches Stück, das schon so manches Weihnachtsprogramm bereicherte.
$35.99
33.39 €
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Chamber Orchestra
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Bertold Hummel
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Christmas Suite
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Schott Music - Digital
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SheetMusicPlus
Heinzelmannchens Wachtparade
Chamber Orchestra
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edit…
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Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
$42.99
39.88 €
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Chamber Orchestra
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Kurt Noack
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Heinzelmannchens Wachtparade
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Schott Music - Digital
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SheetMusicPlus
Silent Night / Stille Nacht (Chamber Orchestra+Solo Vocal, Score only)
Chamber Orchestra
Composed by Franz Xaver Gruber. Arranged by Jan Angermüller, Fedor Vrtacnik. Romantic Per…
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Composed by Franz Xaver Gruber. Arranged by Jan Angermüller, Fedor Vrtacnik. Romantic Period, Christian, Sacred, Praise & Worship, Christmas. Score. 10 pages. Published by Elbsound.studio (S0.308485). - Score - Romantic Period,Christian,Sacred,Praise & Worship,Christmas - Elbsound.studio
$16.99
15.76 €
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Chamber Orchestra
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Franz Xaver Gruber
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Silent Night / Stille Nacht
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Elbsound.studio
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SheetMusicPlus
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